Posts tagged review
“the hole / through the thought of the hole”: A review of Brian Tierney’s RISE AND FLOAT

Tierney’s work is a poetics of fracture. It is intensely interested in the elegiac, many of the poems referencing the deaths of close relatives, yet makes space to honor that impulse while still firmly rooting itself in the living world; ergo, his poetry by design fractures in the divide between the two poles and searches for balance…

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The key in the door: A review of Joshua Burton’s GRACE ENGINE

Wistful, powerful, and unsparing, the poems in Grace Engine defy neat categorization: they are fluid, they are erasures of erasures, text struck through with lines, and full of persona. Walking the line between the elegy and the historical record, these poems ask the world to bear witness to ghosts, to the Black men and women lynched like Jim McIherron and Laura Nelson, Hazel “Hayes” Turner and Mary Turner.

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Even the gods are bastards: A review of Yvette Lisa Ndlovu’s DRINKING FROM GRAVEYARD WELLS

Drinking from Graveyard Wells explores what it means to grapple with those in power by allowing us to imagine the gods as absolute bastards. The collection insists too that storytelling and oral histories serve as reminders that justice isn’t freely given, it’s taken. Kicking and screaming, Ndlovu’s debut collection demands to be seen.

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Where bullets go: A review of Keith Stahl's FROM THE GUNROOM

In the middle of these emotional arcs, the book wrestles with one fundamental question that it repeatedly asks its characters and readers: how does one live in a world so obsessed with toxic elements that it is impossible to fully separate oneself from what is toxic? Or, put another way: “Would you rather not have / been brought into this world— / never to experience / gaggling geese / cartwheeling from blue sky?”

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